Once upon a time you could offer a 37% discount on your magazine, and you'd get the prospect's interest. Now everyone is offering magazines at discounts and even three � four � and more free sample issues.

The two cent test your competitors are using to double response Increase Response Rates From Your Current DM Controls

     In the olden days, a promotion for a book on marketing plans could trumpet "The $30,000 marketing consultation you can get for only $129." Now many prospects simply won't believe that. They've seen this technique before, and they know they're not really going to get what the copy promises. So now it's necessary to test another approach in a head-to-head, A/B split.

     You could try "Wump! Wump! Wump! The competitors went down one by one. Until only the new kid on the block was left standing."

     Something different happens with this approach. You've created a scenario that's hard to forget. And it's unusual. The first reaction from the prospect is probably "Huh!?" What??"

     At the same time, a vague fear sets in. The prospect thinks "some new kid is going to come along with a better idea and take me down. Ohmygosh, maybe a new Web site is going to undercut my pricing. I'd better see what's going on here."

     There's an excellent chance this envelope will get opened because it's a strong play on fear with an undertone of greed - and also because it's intriguing. That intrigue comes from being indirect.

     Another possibility is an envelope headline that says "Leg pain kept Lois off the dance floor for years. Last night she waltzed up a storm. How the heck did she do that???" Many prospects will see Lois waltzing away in their mind's eye.

     If they have leg pain (the FDA won't let us use the word arthritis any more in this type of copy), they'll feel hopeful: "Maybe there's a remedy that can help me." But in any case, they'll be intrigued. And that intrigue could be enough to get many prospects to open the envelope.

     Still another possibility is to spill out an emotional conflict onto an outer envelope, as if someone had been doodling, complete with a coffee-cup stain. The prospects don't know what the heck they got, but other people's money woes are always a grabber.

     So they start reading - and the envelope leads them to a point where they must open it.

     This envelope beat the control and reached a market segment the control couldn't touch.

More about this winning envelope.

     The change in the way our marketplace is responding to direct mail is similar to its response to the news. Most news shows have become just that - shows - with a large dose of entertainment mixed in. The direct mail equivalent is not quite entertainment, but it's similar.

     Our marketplace wants direct mail to be intriguing. "Hint at a benefit. Grab me by my curiosity, as well as by my emotions. Then I'll open your envelope. If you can keep me interested, if you can make me say 'Wow!' after my initial 'Huh!? What??' and if you are a master sales person, then I may buy from you."

     "If you send me a letter that announces a sweepstakes with a Russian theme, and it looks like it was mailed from Moscow, I'll be intrigued. If you just try to sell me an amethyst ring, I'm not interested."

More about this winning envelope.

     "Tell me about a projected 1,444,460,000 ounce shortage of something that's not gold, but isn't identified on the envelope, and I may be interested - especially if you tell me I can make an 899% profit."

More about this winning envelope.

     The "intriguing/indirect" approach to outer envelope copy responds to a sea change in the way prospects react to direct mail packages. Although savvy direct marketers have seen this change coming for years, most of us have used the same basic creative strategy year in and year out.

     We're trapped by our winning formulas. Since they do still work - even though they aren't producing the same results as they used to - we keep testing within their confines. We're afraid of breakthrough creative that goes outside the box because it's risky. We have to test it. And some of those tests are not going to work. At $12,000 and up for a new package test, this puts immense pressure on us to stick with proven creative approaches.

     If that $12,000 figure sounds like a lot, double-check the ingredients. You may be able to get a test done for somewhat less - or you may have to spend a lot more for a complex package. But let's use these figures as our discussion point:

• $5000 for 10,000 pieces at 50� per piece for lists, printing, lettershop and postage.
• $3,500 for concept and copy for a very basic package.
• $3,500 for design for a basic package.

     But there is a better way to develop outer envelope creative - and new controls. It involves a three-pronged strategy:

1. We can learn something from our colleagues in - gasp! - general advertising. We can make our outer envelopes more conceptual, more memorable and more compelling.
2. We can focus on a tried-and-true direct marketing basic that's all-too-often forgotten: Strong copy plays on the emotions. Fear and greed are the two strongest emotional plays. They're even more potent when they're mixed together. Add a dash of hope, a jigger of guilt, and a play on the need for exclusivity to the recipe, and many people find it hard to resist.
3. We can build tests around existing controls, so we don't have to start from scratch for every creative test.

     Often the concept for a powerful new control is buried in the old one. Like the headline on a lift note in a financial newsletter promotion: "The Mystery of the Chinese Egg Puzzle." Or a headline from another lift note in a magazine promotion: "The Amazing Secret of My Crazy Rich Aunt."

     With an inexpensive envelope test, you can find out quickly whether you have the concept for a new control. If a buried headline on a lift note can raise response by 50%, imagine what it could do if you put it on the outer envelope!

     That's why envelope testing is so important. You can wrap a brand new outer envelope around an existing control. If you use staff creative talent, your out-of-pocket test cost is about $5300 for a 10,000 piece test. Even if you use outside freelance creative talent, your total cost can be as low as $6500.00. That's about half of the cost for a full package test.

     Here's how I arrived at these figures:

• $1200 and up for freelance copy and design.
• $300 for a press wash-up, assuming a 2-color, #10, 24 lb. whitewove test envelope run at the end of a 100,000 piece roll-out.
• $5000 for printing, lettershop and postage at 50� per piece mailed for a 10,000 piece test.

     Once you have a new outer envelope that's beaten the control envelope in a test, you also have the beginning of a copy platform for an entirely new control. By testing one component at a time, like a new lift note, or a different lead on the letter, you can build your new control in a series of low-risk, low-cost steps.

     That's why envelope tests are becoming a major creative strategy for savvy direct marketers in the age of consumer cynicism.